This volume contributes to the vibrant, ongoing recuperative work on women’s writing by shedding new light on a group of authors commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The neologism ‘interfeminism’ – coined to partner Kristin Bluemel’s ‘intermodernism’ – locates this group chronologically and ideologically between two ‘waves’ of feminism, whilst also forging connections between the political and cultural monoliths that have traditionally overshadowed them. Drawing attention to the strengths of this ‘out-of-category’ writing in its own right, this volume also highlights how intersecting discourses of gender, class and society in the interwar and postwar periods pave the way for the bold reassessments of female subjectivity that characterise second and third wave feminism.   The essays showcase the stylistic, cultural and political vitality of a substantial group of women authors of fiction, non-fiction, drama, poetry and journalism including Vera Brittain, Storm Jameson, Nancy Mitford, Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, Kamala Markandaya, Susan Ertz, Marghanita Laski, Elizabeth Bowen, Edith Pargeter, Eileen Bigland, Nancy Spain, Vera Laughton Matthews, Pamela Hansford Johnson, Dorothy Whipple, Elizabeth Taylor, Daphne du Maurier, Barbara Comyns, Shelagh Delaney, Stevie Smith and Penelope Mortimer. Additional exploration of the popular magazines Woman’s Weekly and Good Housekeeping and new material from the Vera Brittain archive add an innovative dimension to original readings of the literature of a transformative period of British social and cultural history.   List of contributors: Natasha Periyan, Eleanor Reed, Maroula Joannou , Lola Serraf, Sue Kennedy, Ana Ashraf, Chris Hopkins, Gill Plain, Lucy Hall, Katherine Cooper, Nick Turner, Maria Elena Capitani, James Underwood, and Jane Thomas.

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Well-known in science fiction for tomb-raiding and mummy-wrangling, the archaeologist has been a rich source for imagining ‘strange new worlds’ from ‘strange old worlds.’ But more than a well-spring for SF scenarios, the genre’s archaeological imaginary invites us to consider the ideological implications of digging up the past buried in the future. A cultural study of an array of very popular, though often critically-neglected, North American SF film and television texts–running the gamut of telefilms, pseudo-documentaries, teen serial drama and Hollywood blockbusters–Excavating the Future explores the popular archaeological imagination and the political uses to which it is being employed by the U.S. state and its adversaries. By treating SF texts as documents of archaeological experience circulating within and between scientific and popular culture communities and media, Excavating the Future develops critical strategies for analyzing SF film and television’s critical and adaptive responses to post 9/11 geopolitical concerns about the war on terror, homeland security, the invasion and reconstruction of Iraq, and the ongoing fight against ISIS.

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H. Beam Piper was a 20th century science fiction writer. He is best known for his Terro-Human Future History series and a series of Paratime alternate history tales. The theme in many of Piper's books is best seen in Uller Uprising. Piper wrote about the past repeating itself and past events having a direct effect on the future. Little Fuzzy is considered to be Piper's best work. In this science fiction novel a race called the Fuzzies is discovered on the planet of Zarathustra. A prospector named Jack Holloway discovers this race on a planet thought to be devoid of life. The company Holloway works for has been obtaining the planet's resources and they will lose their right to prospect if sapient life is discovered. It is Holloway's job to make sure the Fuzzies are not discovered.

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Moby-Dick; or, The Whale (1851) is a novel by Herman Melville considered an outstanding work of Romanticism and the American Renaissance. Ishmael narrates the monomaniacal quest of Ahab, captain of the whaler Pequod, for revenge on Moby Dick, a white whale which on a previous voyage destroyed Ahab's ship and severed his leg at the knee. Although the novel was a commercial failure and out of print at the time of the author's death in 1891, its reputation as a Great American Novel grew during the twentieth century. William Faulkner confessed he wished he had written it himself, and D. H. Lawrence called it "one of the strangest and most wonderful books in the world", and "the greatest book of the sea ever written". "Call me Ishmael" is one of world literature's most famous opening sentences. The product of a year and a half of writing, the book is dedicated to Nathaniel Hawthorne, "in token of my admiration for his genius", and draws on Melville's experience at sea, on his reading in whaling literature, and on literary inspirations such as Shakespeare and the Bible. The detailed and realistic descriptions of whale hunting and of extracting whale oil, as well as life aboard ship among a culturally diverse crew, are mixed with exploration of class and social status, good and evil, and the existence of God. In addition to narrative prose, Melville uses styles and literary devices ranging from songs, poetry and catalogs to Shakespearean stage directions, soliloquies and asides.

There were slight but important differences between the texts of the London edition, which appeared first, and the New York edition. The London publisher cut or changed sensitive passages and Melville made changes as well, including a last-minute change in the title. The work first appeared as The Whale in London in October 1851 and then under its definitive title Moby-Dick in New York in November. The whale, however, appears in both the London and New York editions as "Moby Dick", with no hyphen. The British edition was not reprinted, while the American edition was reprinted three times, the last time in 1871. Only 3,200 copies were sold during the author's life.

Versions built by GITenberg are available here. You can make corrections or changes via the book's repository on github!. Summary by Wikipedia.

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Moby-Dick; or, The Whale (1851) is a novel by Herman Melville considered an outstanding work of Romanticism and the American Renaissance. Ishmael narrates the monomaniacal quest of Ahab, captain of the whaler Pequod, for revenge on Moby Dick, a white whale which on a previous voyage destroyed Ahab's ship and severed his leg at the knee. Although the novel was a commercial failure and out of print at the time of the author's death in 1891, its reputation as a Great American Novel grew during the twentieth century. William Faulkner confessed he wished he had written it himself, and D. H. Lawrence called it "one of the strangest and most wonderful books in the world", and "the greatest book of the sea ever written". "Call me Ishmael" is one of world literature's most famous opening sentences. The product of a year and a half of writing, the book is dedicated to Nathaniel Hawthorne, "in token of my admiration for his genius", and draws on Melville's experience at sea, on his reading in whaling literature, and on literary inspirations such as Shakespeare and the Bible. The detailed and realistic descriptions of whale hunting and of extracting whale oil, as well as life aboard ship among a culturally diverse crew, are mixed with exploration of class and social status, good and evil, and the existence of God. In addition to narrative prose, Melville uses styles and literary devices ranging from songs, poetry and catalogs to Shakespearean stage directions, soliloquies and asides.

There were slight but important differences between the texts of the London edition, which appeared first, and the New York edition. The London publisher cut or changed sensitive passages and Melville made changes as well, including a last-minute change in the title. The work first appeared as The Whale in London in October 1851 and then under its definitive title Moby-Dick in New York in November. The whale, however, appears in both the London and New York editions as "Moby Dick", with no hyphen. The British edition was not reprinted, while the American edition was reprinted three times, the last time in 1871. Only 3,200 copies were sold during the author's life.

Versions built by GITenberg are available here. You can make corrections or changes via the book's repository on github!. Summary by Wikipedia.

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Moby-Dick; or, The Whale (1851) is a novel by Herman Melville considered an outstanding work of Romanticism and the American Renaissance. Ishmael narrates the monomaniacal quest of Ahab, captain of the whaler Pequod, for revenge on Moby Dick, a white whale which on a previous voyage destroyed Ahab's ship and severed his leg at the knee. Although the novel was a commercial failure and out of print at the time of the author's death in 1891, its reputation as a Great American Novel grew during the twentieth century. William Faulkner confessed he wished he had written it himself, and D. H. Lawrence called it "one of the strangest and most wonderful books in the world", and "the greatest book of the sea ever written". "Call me Ishmael" is one of world literature's most famous opening sentences. The product of a year and a half of writing, the book is dedicated to Nathaniel Hawthorne, "in token of my admiration for his genius", and draws on Melville's experience at sea, on his reading in whaling literature, and on literary inspirations such as Shakespeare and the Bible. The detailed and realistic descriptions of whale hunting and of extracting whale oil, as well as life aboard ship among a culturally diverse crew, are mixed with exploration of class and social status, good and evil, and the existence of God. In addition to narrative prose, Melville uses styles and literary devices ranging from songs, poetry and catalogs to Shakespearean stage directions, soliloquies and asides.

There were slight but important differences between the texts of the London edition, which appeared first, and the New York edition. The London publisher cut or changed sensitive passages and Melville made changes as well, including a last-minute change in the title. The work first appeared as The Whale in London in October 1851 and then under its definitive title Moby-Dick in New York in November. The whale, however, appears in both the London and New York editions as "Moby Dick", with no hyphen. The British edition was not reprinted, while the American edition was reprinted three times, the last time in 1871. Only 3,200 copies were sold during the author's life.

Versions built by GITenberg are available here. You can make corrections or changes via the book's repository on github!. Summary by Wikipedia.

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Terraforming is the process of making other worlds habitable for human life. Its counterpart on Earth—geoengineering— is receiving serious consideration as a way to address climate change. Contemporary environmental awareness and our understanding of climate change is influenced by science fiction, and terraforming in particular has offered scientists, philosophers, and others a motif for thinking in complex ways about our impact on planetary environments. This book asks how science fiction has imagined how we shape both our world and other planets and how stories of terraforming reflect on science, society and environmentalism. It traces the growth of the motif of terraforming in science fiction from H.G. Wells's The War of the Worlds (1898) to James Cameron's blockbuster Avatar (2009), in stories by such writers as Olaf Stapledon, Ray Bradbury, Robert Heinlein, Arthur C. Clarke, Frank Herbert, Ursula K. Le Guin, Ernest Callenbach, Pamela Sargent, Frederick Turner and Kim Stanley Robinson. It argues for terraforming as a nexus for environmental philosophy, the pastoral, ecology, the Gaia hypothesis, and the politics of colonisation and habitation. Amidst contemporary anxieties about climate change, terraforming offers an important vantage from which to consider the ways humankind shapes and is shaped by their world.

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"Not only does any tale which crosshatches between this world and Faerie owe a Founder's Debt to Lord Dunsany, but the secondary world created by J.R.R. Tolkien--from which almost all fantasylands have devolved--also took shape and flower from Dunsany's example." --The Encyclopedia of Fantasy Most fantasy enthusiasts consider Lord Dunsany one of the most significant forces in modern fantasy; his influences have been observed in the works of H.P. Lovecraft, L. Sprague de Camp, Fritz Leiber, Jack Vance, and many other modern writers. The Book of Wonder is Dunsany at his peak of his talent. The stories here are a lush tapestry of language, conjuring images of people, places, and things which cannot possibly exist, yet somehow ring true. They are, in short, full of wonder. Together with Dunsany's other major collections, A Dreamer's Tales and Tales of Three Hemispheres, they are a necessary part of any fantasy collection.

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Title: The Invisible Man. A grotesque romance.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Wells, H. G.; 1897. viii. 245 p.; 8 . 012625.h.20.

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Title: The Invisible Man. A grotesque romance.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Wells, H. G.; 1897. viii. 245 p.; 8 . 012625.h.20.

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Will Barrent had no memory of his crime . . . but he found himself shipped across space to a brutal prison-planet. On Omega, his only chance to advance himself - and stay alive - is to commit an endless series of violent crimes. The average inmate's life expectancy from time of arrival is three years. Can Barrett survive, escape, and return to Earth to clear his name? "Yes sir. Well, there are three men outside trying to kill me...." "Quite right," Mr. Frendlyer said. "And today is Landing Day. You came off the ship that landed today, and have been classified a peon.... I'm happy to say that everything is in order. The Landing Day Hunt ends at sundown. You can leave here with the knowledge that everything is correct and that your rights have not been violated." "Leave here? After sundown, you mean." Mr. Frendlyer shook his head and smiled sadly. "I'm afraid not. According to the law you must leave here at once." "But they'll kill me!" "That's very true. Unfortunately it can't be helped. A victim by definition is one who is to be killed.... We protect rights, not victims."

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This small novella tells the tale of two impossibly intertwined gentlemen living in Victorian London---the friendly and sociable Dr Jekyll, and the monstrously deformed, obviously dangerous Mr Hyde. As Mr Hyde's crimes gain the attention of the police, the manhunt is on; but every lead on Hyde consistently leads back to Jekyll instead. When the darker truth of Hyde's identity becomes clear to all, that the monstrous predator of London's industrial-fog enshrouded streets is none other than Jekyll himself, transformed by a tincture of his own making, he sets forth to destroy himself and bring down Hyde with him. Allegedly written within a single week under the influence of cocaine, The Strange Case of Dr Jekyll and Mr Hyde is one of Scottish prose-poet Robert Louis Stevenson's most famous and influential works. It has been remade and adapted into numerous other mediums, including film, television, stage performance, and graphic novel; endlessly quoted in a host of derivative works, speeches, and religious sermons; it even served as the foundation of Freudian psychology and the inspiration for Freud's allegorical tale, The Beast Within. It is widely considered to be the quintessential tale on the duality of the individual, and the danger of suppressing humanity's baser instincts for the outward appearance of morality.

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The War of the Worlds (1898) is a science fiction novel by H. G. Wells. It describes the experiences of an unnamed narrator who travels through the suburbs of London as England is invaded by Martians. It is one of the earliest stories that details a conflict between mankind and an alien race.The War of the Worlds is split into two parts, Book one: The Coming of the Martians, and Book two: The Earth under the Martians. The novel is narrated by a writer of philosophical articles who throughout the narrative struggles to reunite with his wife, while witnessing the Martians rampaging through the southern English counties. Part one also features the tale of his brother, who accompanies two women to the coast in the hope of escaping England as it is invaded.The plot has been related to invasion literature of the time. The novel has been variously interpreted as a commentary on evolutionary theory, British imperialism, and generally Victorian fears and prejudices. At the time of publication it was classified as a scientific romance, like his earlier novel The Time Machine. Since then, it has influenced much literature and other media, spawning half a dozen feature films, radio dramas, various comic book adaptations, a television series, and sequels or parallel stories by other authors. It also influenced the real-life work of scientists, notably the rocket scientist Robert H. Goddard.

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The War of the Worlds (1898) is a science fiction novel by H. G. Wells. It describes the experiences of an unnamed narrator who travels through the suburbs of London as England is invaded by Martians. It is one of the earliest stories that details a conflict between mankind and an alien race.The War of the Worlds is split into two parts, Book one: The Coming of the Martians, and Book two: The Earth under the Martians. The novel is narrated by a writer of philosophical articles who throughout the narrative struggles to reunite with his wife, while witnessing the Martians rampaging through the southern English counties. Part one also features the tale of his brother, who accompanies two women to the coast in the hope of escaping England as it is invaded.The plot has been related to invasion literature of the time. The novel has been variously interpreted as a commentary on evolutionary theory, British imperialism, and generally Victorian fears and prejudices. At the time of publication it was classified as a scientific romance, like his earlier novel The Time Machine. Since then, it has influenced much literature and other media, spawning half a dozen feature films, radio dramas, various comic book adaptations, a television series, and sequels or parallel stories by other authors. It also influenced the real-life work of scientists, notably the rocket scientist Robert H. Goddard.

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The War of the Worlds (1898) is a science fiction novel by H. G. Wells. It describes the experiences of an unnamed narrator who travels through the suburbs of London as England is invaded by Martians. It is one of the earliest stories that details a conflict between mankind and an alien race.The War of the Worlds is split into two parts, Book one: The Coming of the Martians, and Book two: The Earth under the Martians. The novel is narrated by a writer of philosophical articles who throughout the narrative struggles to reunite with his wife, while witnessing the Martians rampaging through the southern English counties. Part one also features the tale of his brother, who accompanies two women to the coast in the hope of escaping England as it is invaded.The plot has been related to invasion literature of the time. The novel has been variously interpreted as a commentary on evolutionary theory, British imperialism, and generally Victorian fears and prejudices. At the time of publication it was classified as a scientific romance, like his earlier novel The Time Machine. Since then, it has influenced much literature and other media, spawning half a dozen feature films, radio dramas, various comic book adaptations, a television series, and sequels or parallel stories by other authors. It also influenced the real-life work of scientists, notably the rocket scientist Robert H. Goddard.

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